recent paintings and news

recent paintings and news

Friday, February 3, 2012

Protect






This past week was hectic in planning, packing and transporting work to be featured at the Grimsby Public Art Gallery  for the much- anticipated exhibition: This Land is OUR Land: the Greenbelt Dichotomy. 

Below is a series and statement that the director selected for the show.

One element of being part of a  public exhibition is that the director/curator has the last word on what is selected and where it goes. Some works intended for the show were edited out-and I have to accept that. This is part of the deal -not fun-but in the 'big picture' of this group show, where it is all about balance, her decision was sound.

I have also posted an intro video, although they hadn't finished installation and my lighting was not yet adjusted. I hope to remember to bring the camera to Sunday's opening when everything is pulled together.








Protect
encaustic collage triptych on panels, 8x30in, 2012


Statement to accompany work


Since the Greenbelt policy was implemented five years ago I have noticed more abandoned fields in rural Niagara. Once farmed and thriving with orchards and vineyards, these fallow fields are now housing wildlife. They grow milkweed for monarch butterflies, sweet wildflowers for our bees, and provide food and camouflage for many bird species.  

 One species of migrating birds, the Bobolink, are provincially listed as ‘species at risk’. For the past few springs, in open escarpment fields, I have had the immense pleasure of encountering these bold as brass yellow headed songsters. The unmistakable " bubbling delirium of ecstatic music that flows from the gifted throat like sparkling champagne," "a mad, reckless song-fantasia, an outbreak of pent-up, irrepressible glee," and "a tinkle of fairy music, like the strains of an old Greek harp."  Such exuberance –especially after making one of the longest migrations in the Western Hemisphere—a round trip of approximately 20,000-km  from Brazil, Paraguay, and northern Argentina!

‘Ontario's Greenbelt is home to 78 of over 200 provincially listed species at risk in the
province, like the Bobolink, Redside Dace and Jefferson Salamander.

Since being established in 2005, it has prevented the conversion of natural and agricultural lands into sprawling residential development.

Despite this early success, this report highlights the need to strengthen existing provincial policies and laws to address on-going threats to the integrity of the Greenbelt from pressures like road development and aggregate extraction.’

David Suzuki Foundation





Tuesday, January 24, 2012

Drawing on Time


The image below (48x72in) will be part of an installation for the upcoming show 'This land is OUR Land: the greenbelt dichotomy'

I was fortunate to receive funding from the Ontario Arts Council towards the production of new work for this exhibition.  I also took a few weeks from teaching in order to fully immerse myself into the project and have relished in every moment. 

I am still busy finishing up a series and very excited to see the exhibition as a whole and what the other artists will bring to it.

*no time lately to leave comments on my favourite blogs but still looking-especially enjoyed Krista Howell's new work as well as Caroline Simmill and Sheila Vaughan










 The More Things Change
charcoal & aluminum on panel
48x72in, 2012


yes, more aluminum -I just find it so intriguing. Below is the same drawing, but in  low cool light. the reflective aluminum light seems to move around the work in a continuous cycle of change-





Thursday, January 19, 2012

Full of Moons

Climate change and it's impact on farming compelled me to investigate  the twelve full moons. 


'Predicting the weather has been a human passion for ages. Farmers wanted to know what kind of a season was forthcoming -- would there be enough rain or would there be drought? Would the winter be cold or mild? How could they tell if a violent storm was coming?' 

Farmers Almanac



Full Moon Names and Their Meanings


National Geographic

One of the most dramatic sights in the night sky—and inspiration for poets, artists, and lovers for millennia—full moons captivate us like nothing else.


Every month Earth's moon goes through its phases, waning and waxing in its constant transformation from new moon to full moon and back again. Full moons occur every 29.5 days or so as the moon moves to the side of Earth directly opposite the sun, reflecting the sun's rays off its full face and appearing as a brilliant, perfectly circular disk.


For millennia, humans have used the movement of the moon to keep track of the passing year and set schedules for hunting, planting, and harvesting. Ancient cultures the world over have given these full moons names based on the behaviour of the plants, animals, or weather during that month.





© Jan Yates, encaustic on panel, 6x6in, 2012
January: Wolf Moon
Native Americans and medieval Europeans named January's full moon after the howling of hungry wolves lamenting the midwinter paucity of food. Other names for this month's full moon include old moon and ice moon.




© Jan Yates, encaustic on panel, 6x6in, 2012
February: Snow Moon
The typically cold, snowy weather of February in North America earned its full moon the name snow moon. Other common names include storm moon and hunger moon.




© Jan Yates, encaustic on panel, 6x6in, 2012
March: Worm Moon
Native Americans called this last full moon of winter the worm moon after the worm trails that would appear in the newly thawed ground. Other names include chaste moon, death moon, crust moon (a reference to snow that would become crusty as it thawed during the day and froze at night), and sap moon, after the tapping of the maple trees.





© Jan Yates, encaustic on panel, 6x6in, 2012 

April: Pink Moon
Northern Native Americans call April's full moon the pink moon after a species of early blooming wildflower. In other cultures, this moon is called the sprouting grass moon, the egg moon, and the fish moon.






© Jan Yates, encaustic on panel, 6x6in, 2012
May: Flower Moon
May's abundant blooms give its full moon the name flower moon in many cultures. Other names include the hare moon, the corn planting moon, and the milk moon.





© Jan Yates, encaustic on panel, 6x6in, 2012 
 June: Strawberry Moon
In North America, the harvesting of strawberries in June gives that month's full moon its name. Europeans have dubbed it the rose moon, while other cultures named it the hot moon for the beginning of the summer heat.







© Jan Yates, encaustic on panel, 6x6in, 2012
July: Buck Moon
Male deer, which shed their antlers every year, begin to regrow them in July, hence the Native American name for July's full moon. Other names include thunder moon, for the month's many summer storms, and hay moon, after the July hay harvest.







© Jan Yates, encaustic on panel, 6x6in, 2012
August: Sturgeon Moon
North American fishing tribes called August's full moon the sturgeon moon since the species was abundant during this month. It's also been called the green corn moon, the grain moon, and the red moon for the reddish hue it often takes on in the summer haze.





© Jan Yates, encaustic on panel, 6x6in, 2012
September: Harvest Moon
The most familiar named moon, September's harvest moon refers to the time of year after the autumn equinox when crops are gathered. It also refers to the moon's particularly bright appearance and early rise, which lets farmers continue harvesting into the night. Other names include the corn moon and the barley moon.





© Jan Yates, encaustic on panel, 6x6in, 2012 
October: Hunter's Moon
The first moon after the harvest moon is the hunter's moon, so named as the preferred month to hunt summer-fattened deer and fox unable to hide in now bare fields. Like the harvest moon, the hunter's moon is also particularly bright and long in the sky, giving hunters the opportunity to stalk prey at night. Other names include the travel moon and the dying grass moon.





© Jan Yates, encaustic on panel, 6x6in, 2012 
November: Beaver Moon
There is disagreement over the origin of November's beaver moon name. Some say it comes from Native Americans setting beaver traps during this month, while others say the name comes from the heavy activity of beavers building their winter dams. Another name is the frost moon.




© Jan Yates, encaustic on panel, 6x6in, 2012 

December: Cold Moon
The coming of winter earned December's full moon the name cold moon. Other names include the long night moon and the oak moon.



The Blue Moon
Each year, the moon completes its final cycle about 11 days before the Earth finishes its orbit around the sun. These days add up, and every two and a half years or so, there is an extra full moon, called a blue moon. The origin of the term is uncertain, and its precise definition has changed over the years. The term is commonly used today to describe the second full moon of a calendar month, but it was originally the name given to the third full moon of a season containing four full moons.






 I might add  to this series for the forthcoming exhibition 'This Land is OUR Land: the Greenbelt Dichotomy. A few installation works will also be included -am working like mad as deadline is looming, but I like the rhythm of creating when there is deadline-so much planning and problem solving-the pieces are falling into place and  I'm feeling very excited! 



This is a group show -Gordon Leverton, Michelle Teitsma and Jefferson Cambel Cooper  bring  an interesting and controversial slant on the issue of protecting green space and what the impact is on farming as well as urban sprawl.



*With gratitude to the Ontario Arts Council for assisting with this exhibition.



Tuesday, January 10, 2012

Winter Wine Festival





For those of you that live close by, there is a fabulous event happening in Niagara......


I've been gearing up for this weekend's Winter Wine Festival in Jordan Village-10% off everything in the Jordan Art Gallery, including this wee winter vineyard.




January
oil/aluminum on canvas
8x10in, 2011
available

*don’t miss ASHLEY MACISAAC
FREE CONCERT this SATURDAY NIGHT!!!!!January 14 at 8:30 p.m.

Just 1 of MANY events celebrating good food, wine, art, apparel and more- all distinctive of Niagara

There are free shuttles from the festival in downtown Jordan to various wineries in the area
Twenty Valley Winter Wine Festival 
THIS WEEKEND
in
Jordan Village, ON, CANADA
www.twentyvalley.com

Tuesday, January 3, 2012

All is flowing


Change
Said the sun to the moon,
You cannot stay.

Change
Says the moon to the waters,
All is flowing.

Change
Says the fields to the grass,
Seed-time and harvest,
Chaff and grain.

You must change
Said the worm to the bud,
Though not to a rose,

Petals fade
That wings may rise
Borne on the wind.

You are changing
said death to the maiden, your wan face
To memory, to beauty.

Are you ready to change?
Says the thought to the heart, to let her pass
All your life long

For the unknown, the unborn
In the alchemy
Of the world's dream?

Kathleen Raine




December, (greenbelt disaster) oil & aluminum on canvas, 24x48in, 2012



This is another painting for the upcoming February show: This land is OUR Land: The Greenbelt Dichotomy. More on that later, although I must admit - am presently frazzled and a wee bit terrified...

Saturday, December 31, 2011

Desiderata: things that are yearned for (sold)


On the eve of a new year I always think of Max Ehrmann's (c.1920)
words of wisdom:


Desiderata


Go placidly amid the noise and haste, and remember what peace there may be in silence.

As far as possible, without surrender, be on good terms with all persons. Speak your truth quietly and clearly; and listen to others, even to the dull and the ignorant, they too have their story. Avoid loud and aggressive persons, they are vexations to the spirit.

If you compare yourself with others, you may become vain and bitter; for always there will be greater and lesser persons than yourself. Enjoy your achievements as well as your plans. Keep interested in your own career, however humble; it is a real possession in the changing fortunes of time.

Exercise caution in your business affairs, for the world is full of trickery. But let this not blind you to what virtue there is; many persons strive for high ideals, and everywhere life is full of heroism. Be yourself. Especially, do not feign affection. Neither be cynical about love, for in the face of all aridity and disenchantment it is perennial as the grass.

Take kindly to the counsel of the years, gracefully surrendering the things of youth. Nurture strength of spirit to shield you in sudden misfortune. But do not distress yourself with imaginings. Many fears are born of fatigue and loneliness.

Beyond a wholesome discipline, be gentle with yourself. You are a child of the universe, no less than the trees and the stars; you have a right to be here. And whether or not it is clear to you, no doubt the universe is unfolding as it should.

Therefore be at peace with God, whatever you conceive Him to be, and whatever your labours and aspirations, in the noisy confusion of life, keep peace in your soul.

With all its sham, drudgery and broken dreams, it is still a beautiful world.
Be cheerful. Strive to be happy.



December (missing Guinn)
oil on canvas
30x36in, 2008, sold

Thursday, December 22, 2011

Solstice and change (sold)




This December, on the day before solstice, it was warm, misty and rainy, looking more like April in the Niagara Region.



April, Niagara Escarpment
cold wax/oil on canvas
16x20in, 2007, sold

last December we had a nice layer of snow.....



December, Remains of the Day
oil on canvas
14x36in, 2010
available


Climate change is affecting the world and can't be ignored-for too many reasons I won't go into here.

I am happy, however, that there will always be a solstice and that the days are now getting longer!

*


Sunday, December 11, 2011

full circle


It takes a long time to grow young.
Pablo Picasso




My grandparents had a farm and when I was growing up it was where I would be. With a sense of adventure and imagination I’d wander their open fields of possibility in anticipation of what I might see. Even then I relished in being alone (excepting dogs) and loved the hidden feeling that the wild meadows provided.

And here I am more than forty years past yet only five miles from where it all began. wandering fields. with dogs. alone. I love it. But I can’t help wondering: are the field wanderings of my youth to blame for my ongoing obsession?

The location of the painting below is where I stop and meditate on daily walks and resonates with me on many levels.







December (greenbelt disaster)
Niagara Escarpment
mixed media on canvas
40x40in, 2011


*

Wednesday, November 30, 2011

Snow, Sky: November's farewell


Lately I have been so very scattered and I know it is because I have not 'allowed' myself enough creation time. And by that I don't mean the physical act of making art-as we all know it's the 'before' time to process that fuels the work.




November, Remains of the Day 
mixed media on canvas, 8x8in, 2011, available



But I see light at the end of the tunnel-a winding down with business and personal issues that are getting in the way. So today was my transition day. I went for a long rejuvenating walk-and it started to snow! It was light, gentle, tentative  -and like a cleansing-then the snow melted and left without a trace that it was ever there.

Back in the studio around 5PM, I glanced out the window and was struck by an incredibly turquoise and pink sky. I grabbed a wee canvas and just responded. Change is often sublte but in a matter of hours can be so splendidly different.

Below is an earlier work, a first snow in December 09, but it put me in mind of today's transition.




December
oil on panel
14x14in, 2009
available



*

Sunday, November 27, 2011

She loved a November Sky




The image below was made as respite from the paintings I am working on for the February show, although I may include it as it relates to the theme.

Initially I wanted to explore the field, as I love the way is sits this time of year. The dormancy and texture put me in mind of a tapestry, and the particles lifted and swept by the wind remind me yet again that nature is never still-minute microcosms playing in the air.

But when I got into the painting the sky seemed to take over and I let it. My Mother, who passed away less than a year ago, loved the yellows in a grey November sky. I remember our November walks and country drives-pulling over to the side of the road to marvel at the simple splendour of a November Sky.

As I’ve mentioned before, I often like to paint on top of older paintings and that’s exactly what I did here as I thought it might add to the texture of the field. There was a lot of red in the under-painting which I think added to the depth in the land portion. I did, however, prime the sky portion with aluminum and am happy I did as the greys and lighter hues retained their clarity more so I think than had I not used it. I did get carried away though-when the painting was very wet I gently dispersed some fine aluminum powder throughout the sky as well as in the field-in hopes of emulating the wee field particles caught in the shifting light. It did work-depending on how the light hits it there is a subtle trick of the eye quality-a bit of movement.




November(She loved a November Sky)
Niagara Escarpment
oil & aluminum on canvas
30x30in, 2011


Unfortunately because of the aluminum’s reflective qualities, it makes it REALLY difficult to photograph. In the actual painting, the tones and value shifts in the sky are closer-the top left more subdued and even and the willow tree on the lower left horizon line much lighter/brighter. I will let the whole painting dry and re-shoot.




*

Monday, November 14, 2011

Liah's Tree


This is the other small painting made last week during my plein air hiatus-it was a very grey misty day yet with evocative light meandering in and out.




November, Liah's Tree
oil on canvas
11x14in, 2011
available



Sunday, November 13, 2011

plein air & murmuration



The painting below was made last week during a 'plein air hiatus' from the large works going on in the studio...








November
oil on aluminum primed canvas
11x14in, 2011
available

*And I am sure by now most of you have seen the 'Murmuration' video-good to know that nature has gone viral!
I can't get enough of it, so here it is-Rhonda and Katherine V I can't help but think of you....
Murmuration from Sophie Windsor Clive on Vimeo.


http://vimeo.com/31158841

Thursday, November 10, 2011

Winter Moons


I was painting in the studio today and time got away from me so didn’t get out for a walk until the sun went down. The fresh air was quite brisk and it was invigorating to be out in it after such a long day. I love how the fields look this time of night-full of mystery! On one side of the field the sky held smokey clouds highlighted in crimson and yellow from the just-departed sun, and on the other side was a full bright moon in a luminous blue haze.


When I got back I made these little paintings on small canvases that were primed with aluminum pigment. I worked with hardly any paint, mostly dry-brushing and wiping out passages to reveal the reflective aluminum. It’s difficult to photograph works on reflective surfaces and one can’t see the nuances in tone but I’m quite pleased. I think that I will work larger on the same surfaces-if I ever finish current  paintings that I have on the go!





Winter Moon 2
oil on aluminum primed canvas
6x6in, 2011
available






Winter Moon 1
oil on aluminum primed canvas
6x6in, 2011
available