recent paintings and news

recent paintings and news

Saturday, June 25, 2011

fire fly - moon dance (sold)



For me a summer night is especially evocative. I am not the only one. It is the stuff of songs, sayings, poems & plays.

What a marvellous night for a moon dance.



 Moon Dance
mixed media on panel
6x6in, 2011






  Fire Fly
mixed media on panel 
6x6in, 2011
sold








Wednesday, June 22, 2011

Summer (sold)

Love is to the heart what the summer is to the farmer's year - it brings to harvest all the loveliest flowers of the soul.  
Author Unknown






To see the Summer Sky
Is Poetry, though never to the, in a Book it lie -
True Poems flee.
Emily Dickinson


In June, as many as a dozen species may burst their buds on a single day. No man can heed all of these anniversaries; no man can ignore all of them.  
Aldo Leopold

No price is set on the lavish summer;
June may be had by the poorest comer.
James Russell Lowell

Then followed that beautiful season... Summer....
Filled was the air with a dreamy and magical light; and the landscape
Lay as if new created in all the freshness of childhood.
Henry Wadsworth Longfellow

Summer is the time when one sheds one's tensions with one's clothes, and the right kind of day is jeweled balm for the battered spirit.  A few of those days and you can become drunk with the belief that all's right with the world.  
Ada Louise Huxtable


Summer afternoon - summer afternoon to me those have always been the two most beautiful words in the English language
Henry James, Jr. 

July
Niagara Escarpment
oil on canvas
36x36in, 2010


HAPPY SUMMER !


Saturday, June 18, 2011

edge & field

Freedom is what you do with what's been done to you.
Jean-Paul Sartre




I haven’t posted in awhile- crazy busy month! My plein air classes and workshops are in full swing, and a few large paintings are in progress.  

I do want to thank those of you that took the time to write your comments on my previous post. I haven't had time to respond or even barely visit your new work, but intend to do so soon-
*Bill a special thanks to you-your compliment sent me over the moon!

 I did manage to get out this evening for a quiet conversation with the field and rendered this wee acrylic painting. I finished just in time too- my neighbour came out with the tractor to cut down the area where I was working!






June, Remains of the Day
acrylic on canvas
6x14in, 2011
available

For me,  acrylic paint can be challenging when it comes to edges in landscape—soft and varied edges that is. It lends itself nicely to sharp edges, and, although I really like it in others, I’m not after  graphic or stylized contrast in my own work. I do  like acrylic for glazing and if used wet and/or with different mediums I am able to achieve a more varied approach to edges and application with the brush. It’s also convenient ie not having to worry about transporting a wet oil painting when hurriedly trudging through fields  -especially if one is being chased by a columbine.





* a bit of excitement -a documentary  was shot here all day yesterday and I played a small part-primarily as myself but hey, they still made me do 'take' after take-am exhausted! The show airs in January and will post more info then-



Thursday, June 2, 2011

new June & plein air classes


'How sad it is! I shall grow old, and horrid, and dreadful. But this picture will remain always young. It will never be older than this particular day of June…if it was only the other way! If it was I who were to be always young, and the picture that were to grow old! For this—for this—I would give everything! Yes, there is nothing in the world I would not give!'

Oscar Wilde


Below is a view from my studio and it is a snowball bush that has grown somewhat awry -which I quite like.



June
oil on canvas
18x24in, 2011
available
 (still a wee bit glare y, will re-shoot when dry)


I worked alla prima over an existing dark painting-played with  higher chroma and worked out some compositional divisions. I also worked on mixing new spring greys.

I have finally settled on a medium that works well (for me) when painting outdoors—  2 parts safflower oil, I part dammar varnish or Canadian balsam ( it’s expensive) and a few (use sparingly) drops of cobalt drier. I much prefer this drier  to alkyd additives and mediums like Liquin, which I have used on and off for many years. When I work outside in the warm sun I like the paint dripping wet so use lots of solvent /medium in the initial stages of laying in. As I build the painting with thicker passages, the sun and the medium tend to set up and become tactile-I love that ‘pull’ as the paint then has a beautiful plasticity.


 weekly  Plein air classes resume 


*Weekly classes in  Plein Air Painting  resume next Monday night, June 6. There are 2 openings left so if interested, please contact me. If you are new to art making this is an opportunity to engage in a nurturing,  encouraging and  informative environment. You will approach and develop techniques  including observation, composition, value, colour, brushwork and paint  handling. For practising artists, this is an opportunity to hone individual goals and push beyond your comfort level. 





A smorgasbord of inspiring subject matter is waiting for you:
gardens, vineyards, orchards, fields and amazing sky 
 
For more information about the series, click here or on the top right hand side of this blog.
**If you have registered and would like to pay online securely via paypal, click the link below. You do not need an account with paypal to complete the transaction.





Monday, May 30, 2011

quiet conversations (sold)



I love the following poem, and the heady scent of them right now compels me to share it.

(although I think of my own region when I read it)



My May Lilacs
oil on canvas
18x24in, 2010
sold



Lilacs

 Amy Lowell


 
Lilacs,
False blue,
White,
Purple,
Color of lilac,
Your great puffs of flowers
Are everywhere in this my New England.   
Among your heart-shaped leaves
Orange orioles hop like music-box birds and sing   
Their little weak soft songs;
In the crooks of your branches
The bright eyes of song sparrows sitting on spotted eggs   
Peer restlessly through the light and shadow   
Of all Springs.
Lilacs in dooryards
Holding quiet conversations with an early moon;   
Lilacs watching a deserted house
Settling sideways into the grass of an old road;
Lilacs, wind-beaten, staggering under a lopsided shock of bloom
Above a cellar dug into a hill.
You are everywhere.
You were everywhere.
You tapped the window when the preacher preached his sermon,
And ran along the road beside the boy going to school.
You stood by the pasture-bars to give the cows good milking,   
You persuaded the housewife that her dishpan was of silver.   
And her husband an image of pure gold.   
You flaunted the fragrance of your blossoms   
Through the wide doors of Custom Houses—
You, and sandal-wood, and tea,
Charging the noses of quill-driving clerks   
When a ship was in from China.
You called to them: “Goose-quill men, goose-quill men,   
May is a month for flitting.”
Until they writhed on their high stools
And wrote poetry on their letter-sheets behind the propped-up ledgers.
Paradoxical New England clerks,
Writing inventories in ledgers, reading the “Song of Solomon” at night,
So many verses before bed-time,
Because it was the Bible.
The dead fed you
Amid the slant stones of graveyards.
Pale ghosts who planted you
Came in the nighttime
And let their thin hair blow through your clustered stems.   
You are of the green sea,
And of the stone hills which reach a long distance.
You are of elm-shaded streets with little shops where they sell kites and marbles,
You are of great parks where every one walks and nobody is at home.
You cover the blind sides of greenhouses
And lean over the top to say a hurry-word through the glass   
To your friends, the grapes, inside.


Lilacs,
False blue,
White,
Purple,
Color of lilac,
You have forgotten your Eastern origin,   
The veiled women with eyes like panthers,
The swollen, aggressive turbans of jeweled pashas.
Now you are a very decent flower,   
A reticent flower,
A curiously clear-cut, candid flower,   
Standing beside clean doorways,
Friendly to a house-cat and a pair of spectacles,   
Making poetry out of a bit of moonlight   
And a hundred or two sharp blossoms.
Maine knows you,
Has for years and years;
New Hampshire knows you,
And Massachusetts
And Vermont.
Cape Cod starts you along the beaches to Rhode Island;   
Connecticut takes you from a river to the sea.   
You are brighter than apples,
Sweeter than tulips,
You are the great flood of our souls
Bursting above the leaf-shapes of our hearts,   
You are the smell of all Summers,
The love of wives and children,
The recollection of gardens of little children,   
You are State Houses and Charters
And the familiar treading of the foot to and fro on a road it knows.
May is lilac here in New England,
May is a thrush singing “Sun up!” on a tip-top ash tree,   
May is white clouds behind pine-trees   
Puffed out and marching upon a blue sky.   
May is a green as no other,
May is much sun through small leaves,   
May is soft earth,
And apple-blossoms,
And windows open to a South Wind.   
May is full light wind of lilac
From Canada to Narragansett Bay.


Lilacs,
False blue,
White,
Purple,
Color of lilac.
Heart-leaves of lilac all over New England,   
Roots of lilac under all the soil of New England,   
Lilac in me because I am New England,
Because my roots are in it,
Because my leaves are of it,
Because my flowers are for it,   
Because it is my country
And I speak to it of itself
And sing of it with my own voice   
Since certainly it is mine.

Sunday, May 29, 2011

the end



The end has come, for my orchard series this season. I think of all, I feel most connected with this wee one.




May (Mom)
Wild Orchard, Niagara Escarpment
oil on canvas
8x10in, 2011



While I thought that I was learning how to live, I have been learning how to die. ~Leonardo Da Vinci



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Friday, May 27, 2011

Vincent & inspiration


‘Is it not emotion, the sincerity of one's feeling for nature, that draws us, and if the emotions are sometimes so strong that one works without knowing one works, when sometimes the strokes come with a continuity and a coherence like words in a speech or a letter, then one must remember that it has not always been so, and that in time to come there will again be hard days, empty of inspiration.’

Excerpt of a  Letter from Vincent van Gogh to Theo van Gogh
Arles, c. 7 July 1888

Those words resonate with me. I have been thinking about what compels me to make so many paintings of the orchard-I never think about it while I am in progress, only after I have produced a series do I reflect on why. In essence I think the orchards in bloom hold a resplendent optimism –I think the rows of white are leaning into the sublime-my friend calls it tree-worship. But what are They worshipping? Besides the bearing of  fruit, I find they are feminine in their gesture, in their stance, in their limbs. When in bloom they merge with the sky into an otherworldly guise. The culmination lasts not even a week, and I think that is what I find to be so compelling. 



May (& Joan) oil on canvas, 7x14in, 2011

This painting is one of my finals from the season. Part of it was rendered in response to a photo taken by my dear friend last week. We were WAy overdue for a good visit. With dogs in tow and drinks in hand  we  hiked out to the orchard, sat under those glorious old trees glistening in the late day sun, and caught up with our lives.


*I have been pouring over  letters written by  our Vincent. All 874 are posted on a very easy to navigate website: the Van Gogh letters
  http://www.vggallery.com/letters/main.htm




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Tuesday, May 24, 2011

spark



No creature is fully itself till it is, like the dandelion, opened in the bloom of pure relationship to the sun, the entire living cosmos.
- D.H. Lawrence

If dandelions were hard to grow, they would be most welcome on any lawn.
-Andrew V Mason

It gives one a sudden start in going down a barren, stoney street, to see upon a narrow strip of grass, just within the iron fence, a radiant dandelion, shining in the grass, like a spark dropped from the sun.
-Henry Ward Beecher



May, oil on canvas, 8x18in, 2011, available

I knew my neighbours would be mowing through the vineyard rows as soon as the rain ceased, taking the dappled yellow with them. I sat outside my kitchen door and caught these doomed (deemed) weeds as quick as I could—was lots of fun. Their plight was sealed just as I put down my last stroke-

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Friday, May 6, 2011

A Weekend Invitation (sold)



SALE on -
This Weekend Only
ALL of my paintings at the Jordan Art Gallery are offered for 13% less than the listed price-just think of it as a tax break.

Sunday, May 1, 2011

MAYDAY (sold)



"What potent blood hath modest May."
- Ralph W. Emerson


"The world's favourite season is the spring. All things seem possible in May."

- Edwin Way Teale


"Be like a flower and turn your face to the sun."

- Kahlil Gibran




Happy May!



 May
Niagara  Escarpment
acrylic on canvas
18x24in, 2008
sold



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to everything there is a season (sold)




My earlier post expounded on how incredibly amazing April is - that we should be patient considering all she brings in growth and renewal. Well I take it back. She has wreaked havoc on far too many. 

 I’ve been  miserable thanks to April. Our majestic old maple tree was torn out by the aftermath of the US tornados. (I can’t even begin to fathom the vast devastation and destruction in the US). The tree is/was situated in front of our veranda, where the entrance to my studio is located. I know that I am fortunate as it missed the house, causing no major damage. I can’t help but feel gutted though when I look at her splayed on the ground, vulnerable, her wee spring buds on branches of hope. I feel like I am mourning as she was so significant to me and my work. The ambiance she provided when sitting out with friends or painting with students will be sorely missed. I keep thinking of all the years that she gave to the birds-some returning year after year. She was their social network as well as protection and housing. When I think of it trees are very much gathering places and places to gather. I am deeply thankful that I shared my seasons with this old girl and she will be sorely missed.



I like to paint ideas via oil sketches on black gessoed card. I have many and usually don’t share but thought I'd make an exception. Last evening I sat on my veranda and painted ‘ view without  tree’ . Serenaded  by finches and mockingbirds, breathing fragrant sweet air, colouring in yellow green land and shocks of forsythia --I might forgive April.




Almost May
Niagara Escarpment
oil on gessoed card
4x6in, 2011
available 

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read on for image of destruction....

Sunday, April 24, 2011

What is it about an Orchard?



Some keep the Sabbath going to the Church 
I keep it, staying at Home 
With a Bobolink for a Chorister 
And an Orchard, for a Dome

Some keep the Sabbath in Surplice
I just wear my Wings 
And instead of tolling the Bell, for Church,
Our little Sexton — sings.

God preaches, a noted Clergyman 
And the sermon is never long,
So instead of getting to Heaven, at last 
I'm going, all along.
Emily Dickinson




April, Waiting for May
oil on canvas
30x36in, 2011
available

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Thursday, April 21, 2011

happy Earth Day (sold)



I’ve made a conscious effort to curb my time on the computer (besides business) in lieu of spending more time on art making and to delve into some larger paintings. I enjoy working in the studio, taking time to contemplate the work, push myself, but more importantly be open and let things happen intuitively. Such a fine line (pun intended) to connect with that elusive balance. I also have a show so really need to work as much as time will allow.

This has been a good month for remaining inside the studio as our April has been cold, grey and rainy. I love that. I feel anticipation. April is pretty amazing and quite magic. For those of you who are complaining, look how hard April is working to bring us colour and life- lets give her a break!

I do admit that I’ve been distracted by the bird wars over nesting rites outside the studio. A grapevine ball is suspended on my porch near the door window and every year it is designated as prime nesting property. I am always a captive audience to the making of the nest. (once all the materials are delivered the lucky bird sits in the centre and uses it’s little body and back feet to shape and form, then the beak does the tucking in).

These bird diversions have slowed down my painting time a wee bit so nothing to show you yet. Instead, a few wee nests.




Cardinal
conte/graphite/charcoal
6x10in, 2008







HAPPY EARTH DAY

please tread lightly......


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Thursday, April 14, 2011

plein air workshop

 'By the start of May, most trees are in full leaf, many Spring flowers are in bloom and the Earth is brimming with both plant and animal life taking advantage of the high sun levels and ever warmer temperatures.'  May Day



in the Orchard

1-day workshop

 Paint outside under the sun, accompanied by the songs of birds and the sweet heady smell of spring blossoms. If you are new to art-making, this is an opportunity to play with paint and hone your observation skills.


This workshop also includes an orchard picnic lunch with complimentary glass of Niagara Wine.
 
Saturday, May 7
10AM-4pm    $90
This workshop is now full


Saturday, April 9, 2011

April outside



I was able to get out in the warm April air this week to whip up a few wee paintings.... 




I sat on a hill late in the day to paint the diptych below and was especially taken with the shifts in colour and texture of the distant escarpment -and beyond just a hint of the lake. The branches of the fruit trees are so red right now with buds-always amazing to me what difference a little bit of sun can do to revive and generate growth..







 April
oil on canvas
9x24in, 2011
available



Below is a wise old cherry tree that I view every day from our south windows. Her days of blooming and bearing fruit are expired but she does bear various broods of wildlife and for that reason she still stands. Generations of squirrels, birds and raccoons have her to thank for their continued presence-- I have her to thank for standing still to let me paint her..




 April
oil on canvas
9x12in, 2011
available


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Sunday, April 3, 2011

old & at risk (sold)


Earlier today I posted an older plein air work that I had found while cleaning my studio but since have abandoned it – deeming it as forever unworthy:(

Still, in keeping with the flow of Spring Studio Cleanup, I found this encaustic painting tucked away. I always keep one work from every series- this one from ‘Food for Thought’.
A few years ago I was painting food cultivated and harvested from my garden or from the vineyards and orchards where I walk. The first painting is very significant to me. My daughter had left home for the first time and as Mothers know this letting go is heart wrenching to say the least -you just want to hold them close. The other two images are portraits of bartlet pears picked from the trees that you have seen in my previous posts.

All three are encaustic, and I am thinking of opening a separate blog for my encaustic works as, even though connected with my works in oil, they are separate..still thinking..




Departure
encaustic on canvas
8x10in, 2007




Pair
encaustic on panel
6x11in, 2007
sold




Found
encaustic on panel
8x10in, 2007
sold



*On another note I have become a fan of a truly significant artist, social activist and writer. I hope you will read Nicolas Wilton's note that articulates what ( I personally feel) it takes to attain truth in all great works of art —RISK.



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