recent paintings and news

recent paintings and news

Sunday, February 12, 2012

drawing on reflection and murmuration

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I don’t think I am alone –fellow artists have told me that they feel a little lost after a show. It is part of growth--time to reflect as well as be open to ideas that have been waiting until deadlines are over. I really enjoy this transition time. I go into the studio with open heart and mind-no plan-and intuitively pick out media-intuitively play-intuitively follow my gut-no pressure-no deadline-just be.

These mixed media drawings came out of this 'letting go'-and I now have an inkling of where they are taking me, although I won’t be disappointed if we change course.

I have always been interested in migration, primarily in birds and the natural world, although lately our own migration, and im-igration, also seem to occupy my thoughts. Perhaps it is because I will be travelling to Ireland soon for my residency at the Tyrone Guthrie Centre. I find myself interested in perusing a series of starling murmurations. Although I have seen them here on the Niagara escarpment, the magnitude of this phenomenon went viral when  posted on this video. Ironically it was filmed in Ireland. 




 study-Murmuration, mixed media on aluminum primed panel, 10x10in, 2012


So a few of my latest ‘art plays’—will see where they will take me. 


Reflection, Niagara Escarpment, mixed media on panel, 12x40in, 2012




 Kama's beeswax crayons, aluminum pigment, and charcoal









February, mixed media on panel, 8x10in, 2012






*my friend Mockingbird 'ducking' for cover on the studio porch...


Tuesday, February 7, 2012

New season classes:

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I have just updated new class dates-info below....



Mentoring Mondays

These sessions are primarily self directed. You can work inside the studio or outdoors ala plein air. I will be available to guide you and address your individual needs in a mentorship approach. These sessions are ideal for those just starting out or for the more seasoned artists who wish to push themselves in a new direction. This is also an inspiring environment for those who simply need time to work. Participants provide their own materials. If you are new to art-making I will be happy to recommend materials and media most suitable for your needs.

Ongoing Mondays:

6:30 -9PM

Spring/Summer series begin
Monday, May 15
$85 for a series of 4 sessions.
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Exploring the Surface: Painting with Cold Wax.

Encaustic painting is not the most convenient way to work-especially if you have limited space or are travelling. Texture, depth, movement and fluidity can still be achieved via working with cold wax, oil paint and drawing materials. I will show you how to mix your own cold wax medium and share techniques and materials used for this versatile painting technique. Recommended for artists with some painting experience.

Workshop 1:

Saturday, June 9

11-3PM
$70 includes most materials. A list will be provided upon registration
                                 
Workshop 2

Wednesday, June 13

11-3PM
$70 includes most materials. A list will be provided upon registration
                                 
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Plein Air in the Vineyard

 
Jan Yates has been painting Niagara’s Vineyards for over fifteen years and is a well-known instructor in the Niagara region.



Each session will be held outdoors in Niagara’s beautiful vineyards and participants will enjoy a complimentary glass of Niagara wine to enhance the ambience of the plein air experience. These sessions are enjoyable for those with no previous art-making background as well as more seasoned artists who want to push beyond their comfort level. For a full course description please contact the artist. Sessions are in oil or acrylic and a materials list will be provided upon registration.


Workshops are held *Fridays:

*You can opt to take 1, 2, 3 or all 4 classes. $45 per class

June 15
5:30-8:30PM

July 13
5:30-8:30PM

August  10
5:30-8:30PM

September 14
5:30-8:30PM




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Plein Air Painting for the Experienced Artist













*All sessions are held on the Niagara Escarpment, a Unesco  world biosphere reserve. Orchards, fields, vineyards and big skies are abundant!

These in-depth sessions will address challenges specific to the outdoor painter. After my trip to Ireland I have learned about packing light, working with a simplified pallet, preparing surfaces and working fast before the rain comes! I will share techniques including pre-mixing predominant seasonal pallets, building composition and economy of brushwork. You will be responsible for your own supplies and a list is provided upon registration. Some outdoor easels are available.

Workshops are held  *Saturdays

*You can opt to take 1, 2, 3or all 4 classes. $50 per workshop

10-2PM

May 26

June  16

July 14

August 11
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Encaustic Painting





Dates and Times


  Wednesday, June 6, 1-4PM
$65 includes most materials

 Saturday, June 23, 10 – 1PM
$65 includes most materials

Class size is limited and students have ample time to work hands on with this fluid and luscious medium.


*registration can be paid securely online via paypal





Friday, February 3, 2012

Protect






This past week was hectic in planning, packing and transporting work to be featured at the Grimsby Public Art Gallery  for the much- anticipated exhibition: This Land is OUR Land: the Greenbelt Dichotomy. 

Below is a series and statement that the director selected for the show.

One element of being part of a  public exhibition is that the director/curator has the last word on what is selected and where it goes. Some works intended for the show were edited out-and I have to accept that. This is part of the deal -not fun-but in the 'big picture' of this group show, where it is all about balance, her decision was sound.

I have also posted an intro video, although they hadn't finished installation and my lighting was not yet adjusted. I hope to remember to bring the camera to Sunday's opening when everything is pulled together.








Protect
encaustic collage triptych on panels, 8x30in, 2012


Statement to accompany work


Since the Greenbelt policy was implemented five years ago I have noticed more abandoned fields in rural Niagara. Once farmed and thriving with orchards and vineyards, these fallow fields are now housing wildlife. They grow milkweed for monarch butterflies, sweet wildflowers for our bees, and provide food and camouflage for many bird species.  

 One species of migrating birds, the Bobolink, are provincially listed as ‘species at risk’. For the past few springs, in open escarpment fields, I have had the immense pleasure of encountering these bold as brass yellow headed songsters. The unmistakable " bubbling delirium of ecstatic music that flows from the gifted throat like sparkling champagne," "a mad, reckless song-fantasia, an outbreak of pent-up, irrepressible glee," and "a tinkle of fairy music, like the strains of an old Greek harp."  Such exuberance –especially after making one of the longest migrations in the Western Hemisphere—a round trip of approximately 20,000-km  from Brazil, Paraguay, and northern Argentina!

‘Ontario's Greenbelt is home to 78 of over 200 provincially listed species at risk in the
province, like the Bobolink, Redside Dace and Jefferson Salamander.

Since being established in 2005, it has prevented the conversion of natural and agricultural lands into sprawling residential development.

Despite this early success, this report highlights the need to strengthen existing provincial policies and laws to address on-going threats to the integrity of the Greenbelt from pressures like road development and aggregate extraction.’

David Suzuki Foundation





Tuesday, January 24, 2012

Drawing on Time


The image below (48x72in) will be part of an installation for the upcoming show 'This land is OUR Land: the greenbelt dichotomy'

I was fortunate to receive funding from the Ontario Arts Council towards the production of new work for this exhibition.  I also took a few weeks from teaching in order to fully immerse myself into the project and have relished in every moment. 

I am still busy finishing up a series and very excited to see the exhibition as a whole and what the other artists will bring to it.

*no time lately to leave comments on my favourite blogs but still looking-especially enjoyed Krista Howell's new work as well as Caroline Simmill and Sheila Vaughan










 The More Things Change
charcoal & aluminum on panel
48x72in, 2012


yes, more aluminum -I just find it so intriguing. Below is the same drawing, but in  low cool light. the reflective aluminum light seems to move around the work in a continuous cycle of change-





Thursday, January 19, 2012

Full of Moons

Climate change and it's impact on farming compelled me to investigate  the twelve full moons. 


'Predicting the weather has been a human passion for ages. Farmers wanted to know what kind of a season was forthcoming -- would there be enough rain or would there be drought? Would the winter be cold or mild? How could they tell if a violent storm was coming?' 

Farmers Almanac



Full Moon Names and Their Meanings


National Geographic

One of the most dramatic sights in the night sky—and inspiration for poets, artists, and lovers for millennia—full moons captivate us like nothing else.


Every month Earth's moon goes through its phases, waning and waxing in its constant transformation from new moon to full moon and back again. Full moons occur every 29.5 days or so as the moon moves to the side of Earth directly opposite the sun, reflecting the sun's rays off its full face and appearing as a brilliant, perfectly circular disk.


For millennia, humans have used the movement of the moon to keep track of the passing year and set schedules for hunting, planting, and harvesting. Ancient cultures the world over have given these full moons names based on the behaviour of the plants, animals, or weather during that month.





© Jan Yates, encaustic on panel, 6x6in, 2012
January: Wolf Moon
Native Americans and medieval Europeans named January's full moon after the howling of hungry wolves lamenting the midwinter paucity of food. Other names for this month's full moon include old moon and ice moon.




© Jan Yates, encaustic on panel, 6x6in, 2012
February: Snow Moon
The typically cold, snowy weather of February in North America earned its full moon the name snow moon. Other common names include storm moon and hunger moon.




© Jan Yates, encaustic on panel, 6x6in, 2012
March: Worm Moon
Native Americans called this last full moon of winter the worm moon after the worm trails that would appear in the newly thawed ground. Other names include chaste moon, death moon, crust moon (a reference to snow that would become crusty as it thawed during the day and froze at night), and sap moon, after the tapping of the maple trees.





© Jan Yates, encaustic on panel, 6x6in, 2012 

April: Pink Moon
Northern Native Americans call April's full moon the pink moon after a species of early blooming wildflower. In other cultures, this moon is called the sprouting grass moon, the egg moon, and the fish moon.






© Jan Yates, encaustic on panel, 6x6in, 2012
May: Flower Moon
May's abundant blooms give its full moon the name flower moon in many cultures. Other names include the hare moon, the corn planting moon, and the milk moon.





© Jan Yates, encaustic on panel, 6x6in, 2012 
 June: Strawberry Moon
In North America, the harvesting of strawberries in June gives that month's full moon its name. Europeans have dubbed it the rose moon, while other cultures named it the hot moon for the beginning of the summer heat.







© Jan Yates, encaustic on panel, 6x6in, 2012
July: Buck Moon
Male deer, which shed their antlers every year, begin to regrow them in July, hence the Native American name for July's full moon. Other names include thunder moon, for the month's many summer storms, and hay moon, after the July hay harvest.







© Jan Yates, encaustic on panel, 6x6in, 2012
August: Sturgeon Moon
North American fishing tribes called August's full moon the sturgeon moon since the species was abundant during this month. It's also been called the green corn moon, the grain moon, and the red moon for the reddish hue it often takes on in the summer haze.





© Jan Yates, encaustic on panel, 6x6in, 2012
September: Harvest Moon
The most familiar named moon, September's harvest moon refers to the time of year after the autumn equinox when crops are gathered. It also refers to the moon's particularly bright appearance and early rise, which lets farmers continue harvesting into the night. Other names include the corn moon and the barley moon.





© Jan Yates, encaustic on panel, 6x6in, 2012 
October: Hunter's Moon
The first moon after the harvest moon is the hunter's moon, so named as the preferred month to hunt summer-fattened deer and fox unable to hide in now bare fields. Like the harvest moon, the hunter's moon is also particularly bright and long in the sky, giving hunters the opportunity to stalk prey at night. Other names include the travel moon and the dying grass moon.





© Jan Yates, encaustic on panel, 6x6in, 2012 
November: Beaver Moon
There is disagreement over the origin of November's beaver moon name. Some say it comes from Native Americans setting beaver traps during this month, while others say the name comes from the heavy activity of beavers building their winter dams. Another name is the frost moon.




© Jan Yates, encaustic on panel, 6x6in, 2012 

December: Cold Moon
The coming of winter earned December's full moon the name cold moon. Other names include the long night moon and the oak moon.



The Blue Moon
Each year, the moon completes its final cycle about 11 days before the Earth finishes its orbit around the sun. These days add up, and every two and a half years or so, there is an extra full moon, called a blue moon. The origin of the term is uncertain, and its precise definition has changed over the years. The term is commonly used today to describe the second full moon of a calendar month, but it was originally the name given to the third full moon of a season containing four full moons.






 I might add  to this series for the forthcoming exhibition 'This Land is OUR Land: the Greenbelt Dichotomy. A few installation works will also be included -am working like mad as deadline is looming, but I like the rhythm of creating when there is deadline-so much planning and problem solving-the pieces are falling into place and  I'm feeling very excited! 



This is a group show -Gordon Leverton, Michelle Teitsma and Jefferson Cambel Cooper  bring  an interesting and controversial slant on the issue of protecting green space and what the impact is on farming as well as urban sprawl.



*With gratitude to the Ontario Arts Council for assisting with this exhibition.



Tuesday, January 10, 2012

Winter Wine Festival





For those of you that live close by, there is a fabulous event happening in Niagara......


I've been gearing up for this weekend's Winter Wine Festival in Jordan Village-10% off everything in the Jordan Art Gallery, including this wee winter vineyard.




January
oil/aluminum on canvas
8x10in, 2011
available

*don’t miss ASHLEY MACISAAC
FREE CONCERT this SATURDAY NIGHT!!!!!January 14 at 8:30 p.m.

Just 1 of MANY events celebrating good food, wine, art, apparel and more- all distinctive of Niagara

There are free shuttles from the festival in downtown Jordan to various wineries in the area
Twenty Valley Winter Wine Festival 
THIS WEEKEND
in
Jordan Village, ON, CANADA
www.twentyvalley.com

Tuesday, January 3, 2012

All is flowing


Change
Said the sun to the moon,
You cannot stay.

Change
Says the moon to the waters,
All is flowing.

Change
Says the fields to the grass,
Seed-time and harvest,
Chaff and grain.

You must change
Said the worm to the bud,
Though not to a rose,

Petals fade
That wings may rise
Borne on the wind.

You are changing
said death to the maiden, your wan face
To memory, to beauty.

Are you ready to change?
Says the thought to the heart, to let her pass
All your life long

For the unknown, the unborn
In the alchemy
Of the world's dream?

Kathleen Raine




December, (greenbelt disaster) oil & aluminum on canvas, 24x48in, 2012



This is another painting for the upcoming February show: This land is OUR Land: The Greenbelt Dichotomy. More on that later, although I must admit - am presently frazzled and a wee bit terrified...