I didn’t want to rush this painting. Yet I didn’t want it to be
contrived or tight. Self discipline is integral in making art hence studio
works evolve differently then plein air. Time is on your side in the studio-so
I make the most of it. When rendering larger works I want to relish in
everything I don’t have time for outdoors.
I still want to bring in the
intuitive responsive play. Just as there is push-pull in a work of art, there
is continuous push-pull in the making of it-at least for me.
I started this painting
last month and only worked on it once or twice a week. Besides wanting passages
to dry I also wanted to approach each session with objectivity and a fresh mind
open to possibilities at the start of each session. I do think it is easier
to give up or change course when there has been time away from the work. In the
last leg of the painting I was able to think more about the final strokes than
the amount actually laid down. That’s the lovely thing about time.
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