a sense of place in time

No paintings to share-currently in transition mode-a necessary evil.

In the meantime, I've been working on the 'land mark' series and thought I'd post my findings as well as formal statement about the inspiration.

(FB post) the late afternoon light was beautiful and my coat pocket had been holding this duck wing far too long.... I was amazed at the structure of the wing (before I dismantled it)-perfectly engineered for flight, and warmth I suppose as there were tiny downy bits close to the break. these white feathers are from the under-wing.





 formal statement: land mark

A connecting aspect of my practice has been informed by altars and alter-ability in the land. After spending time at an international residency in 2011, I have become more and more interested in the human connection with a sense of place and how we are all compelled to alter the land in some way, shape or form, even in remote, sparsely populated regions of the world.

I am driven to leave my own land marks in these places and find myself making portals from discarded vineyard wire, arranging red sumac in  spirals on blue snow shadows and lining up rows of  milkweed pods into migration patterns.

Remnants found in fallow fields such as vine, carcass, nests, litter and wild flowers are altered to become symbolic human connections to a specific sense of place in time. They are left as temporary markers for others to encounter (or not) before being reclaimed by the natural world.

I am intrigued by the processes happening in nature over time and it’s unpredictability that affects the work. The uncertainty of working with the weather, the connection between land and light, uprooting and unearthing hidden things and hidden life are all elements that motivate my practice.



Building three dimensional work using only materials available from my immediate surroundings is something that continues to take shape.

 

see more works from this project

please do not use any of these images without permission from the artist

all rights reserved- copyright Jan Yates 2015

fits and starts

falling snow swept
and swayed,
at fading games of
connect the dots
beyond the window frame
taking turns dashing in
and darting out
decoding winter’s
secret march
in summersaults
of fits and starts

- Mori McCrae

January

aluminum pigment & charcoal on panel

24x24in, copyright Jan Yates 2015

available

'my witness is the empty sky'

 Jack Kerouac

Although not much snow, there have been lots of high winds here in Niagara. One thing about the wind is it sure makes some interesting sky (at least to me).

I like the monochrome in winter and the challenge to push greys. The subdued nuances of tones and textures in the land cast by the sky- greys intrigue me to no end. 

Winter is a quiet place in time.

December

 oil/cold wax on canvas

 20x24in, copyright Jan Yates 2014

available  

breath of winter

Although currently working on studio paintings indoors, at the end of each session I try to make a plein air sketch -luckily I can just step outside. This direct observation work helps me immensely when addressing middle tones/values/edges in the larger studio works.

 *and I just really love the subtle breath of winter light

 December, remains of the day, oil / cold wax on canvas, 16x20in, copyright Jan Yates 2014

available

and on a field note:

milkweed

the force of gale

In staying tuned to all things Shetland, news feeds have been showing gale force winds wreaking magnificent havoc along the coastline. In watching web-cams and videos, I was compelled to respond...

Gale force 8

 oil / cold wax on canvas, 16x20in

copyright Jan Yates 2014

love what it loves

This time of year I tend to be reflective, melancholy-longing for those not near...


You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place
in the family of things.

Wild Geese by Mary Oliver

November, remains of the day

 oil & cold wax on canvas, 18x18in, copyright Jan Yates 2014

sold

lights in the sky

many years ago child-spirits appeared in my encaustic work. i recently came across one 'in progress' while cleaning out the studio- embellished her with some new found hawk feathers and for some reason I want to call her a 'mirrie dancer', although if you read the description it's a wee bit gruesome:

'In Scotland, the northern lights were known as "the mirrie dancers" or na fir-chlis. There are many old sayings about them, including the Scottish Gaelic proverb "When the mirrie dancers play, they are like to slay." The playfulness of the mirrie dancers was supposed to end occasionally in quite a serious fight, and next morning when children saw patches of red lichen on the stones, they say among themselves that "the mirrie dancers bled each other last night". The appearance of these lights in the sky was considered a sign of the approach of unsettled weather.'  

 to be featured this Saturday @ the pop up show:
http://firecrackerfuschia.weebly.com/

 

encaustic painting workshop

more shameless flogging.....



Art Therapy To Help You De-Stress This Holiday Season: Opening tomorrow for Encaustic painting:

Ancient and intriguing, this method of painting originated in Greece, where it was used for the earliest easel and mural painting. A heady combination of colour, melting wax and heat, encaustic mixes dry and oil pigments in hot beeswax. Encaustic painting is safe and non-toxic.

http://www.janyates.com/teaching.html

images (sold) copyright to Jan Yates

Christmas studio sale

   

June, solstice, oil on canvas, 40x40in, copyright Jan Yates 2013

 SALE on now!  

 5th annual 'Open Studio LIVE'

http://www.janyates.com/sale.html

Upcoming cold wax and oil workshop

 

Exploring the Surface: Painting with Cold Wax

Whether brushing, drawing, scratching, scraping, rubbing, pressing, pushing, pulling or employing knife techniques, this ancient medium fosters versatility. Its translucent qualities allow light to penetrate into the paint surface, emphasizing rich and vibrant colour, depth and tone. 

November, oil/cold wax on canvas, 18x36in, copyright Jan Yates 2014

Texture, movement and fluidity can easily be achieved via working with cold wax , oil paint and drawing materials and I will share techniques and tools used with this tactile painting medium. Recommended for artists with some painting experience.  

New class dates posted here

New Studio Course

Looking at Landscape

media:

Drawing (charcoal, pastel) and\or Painting (acrylic, oil)

This series of classes will delve into the art of seeing and responding to the land. Guidance will be given in the form of technique (composition, brushwork, paint handling, colour and value) as well as address how to bring an individual voice and personal style to your work. Participants are encouraged to bring their own reference material; either photographs or a still life set up from natural elements.

A materials list will be provided

details here

making the time

I am in awe of those blogging artists that make the time and effort to edit and upload images, as well as write entries, on an ongoing (some daily) basis.  At the day's end I find myself to be spent-sometimes in a good way from art-making-sometimes not so good because of business or personal issues.

Even more of a reason to applaud those that, no matter what else is going on in their lives, take and make the time to write and share on a regular basis. I may be too tired (lazy?) to comment, but I do enjoy reading your posts-Rhonda Carpender and Celeste Bergen, a special hat's off to you.

In the meantime, here are some 'peerie' leaf-keepers..encaustic, copper, maple and elm leaves.

  peerie leaf keeper 1

encaustic mixed media & copper wire on panel 

4x7in, copyright Jan Yates 2014

peerie leaf keeper 2

 encaustic mixed media & copper wire on panel

 4x7in, copyright Jan Yates 2014

 You can make your own 'keepers' with anything you fancy-recipes, photos, found objects, glass, beads, etc. I have just updated my website with new workshop dates: http://www.janyates.com/teaching.html

the mean season

Everyone I know says Fall is their favourite time of the year. Personally I have a love-hate relationship; her dazzling beauty steals my heart yet, inevitably, her guise steals my light.

October

oil on canvas, 48x60in

copyright Jan Yates, 2014

available

 

October

The leaves were falling on all sides like the last illusions of youth under the tears of irremediable grief. A brood of chattering birds were chasing each other through the shrubberies, and playing games among the branches, like a knot of hiding schoolboys. Every landscape is, as it were, a state of the soul, and whoever penetrates into both is astonished to find how much likeness there is in each detail.

- Henri Frederic Amiel

October

oil on canvas, plein air, 16x20in

 copyright Jan Yates, 2013
available

Milkweed

milkweed, grape leaves, feathers, wild asters, copyright Jan Yates, 2014

milkweed,  copyright Jan Yates, 2014 

milkweed, wild asters, robin's nest, copyright Jan Yates, 2014 

On September 27, 2014, as part of the Grimsby Arts Walk, I invited the community to join me in getting our Monarch butterflies back. Passersby were asked if they would like to help the Monarchs by saving and planting Milkweed in their garden. I provided a limited number of locally harvested milkweed seed pods.

Seeds
Participants were fascinated to see the seeds in their natural state, encased by protective pods. Upon opening them, they  removed the seeds and were asked to write their name, or a message, on the remaining seed pod. I kept the pod. They kept the seeds.

 

Pods
Milkweed seed pods are extremely durable and weather tolerant, so I presented each signed pod in a tree at the entrance of the Grimsby Public Art Gallery and Library. The project continues to grow.

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 Start a project in your region

If you or your organization would  like to see this project take flight in your area, please contact me as I love spreading the word-and seeds, for our Monarchs!   

This project can not be used without written permission from Jan Yates, 2014
                                                                                                                                                 

Milkweed seeds for sale

If you are interested in purchasing Milkweed seeds to plant in your garden to attract our Monarchs, I have some available and ship throughout Canada, US and parts of Europe. Seeds are $6.per pod, with each pod containing 50+ seeds. Shipping is extra outside of Canada. To order, please click here.

Sumac

Taking Flight

sumac, encaustic on panel

12x36in, copyright Jan Yates, 2014

available

October

 sumac, encaustic on found panel 

16x16in , copyright Jan Yates, 2014

-the milkweed project

If nothing ever changed, there’d be no butterflies.

~Author Unknown -

For the Monarchs-the milkweed project

For 14 autumns I have cast Milkweed seeds into empty fields like stardust and over the years,

like magic, more and more plants are appearing. 

I begin by plucking their pods, and then gently pull them open to reveal silken white fluff anchored by flat brown heads. Each time I do this, I marvel at their perfect design; made for the wind to throw them to life.

 I would like to invite the community to help get our Monarch butterflies back by having a similar experience.'''''

September ‘en plein air’

I will be teaching this special outdoor painting session on Saturday-why not join us? Purple asters, yellow fields, red trees….

Thank you to the Grimsby Public Art Gallery for arranging this workshop.

September ‘en plein air’
presented by the Grimsby Public Art Gallery

 

The sun-gold colours of September are here -let’s get outside and paint them!
In this special workshop, you will work 'en plein air' in beautiful golden fields with vineyard views.

After a demo, talk and question period, there will be lots of time to immerse yourself in making art. Learn about simplifying your pallet, working fast in the changing light, mark making/ brushwork and paint handling, as well as colour and value relationships. You will be responsible for your own supplies (oil or acrylic paint) and a list is provided upon registration. Some outdoor easels are available.

This afternoon workshop is enjoyable for those with minimal art-making experience as well as more seasoned artists. In inclement weather, painting will progress in the studio with fresh fall cuttings as inspiration.

Saturday,  September 20 1:30 - 4:30 1 Session $40 members/$50 non-members

TO REGISTER, PLEASE CONTACT THE GALLERY: (905) 945-3246 gpag@grimsby.ca