recent paintings and news

recent paintings and news

Friday, February 28, 2014

Aurora Borealis

Although I won’t be going until 2015, the Shetland residency has me voraciously researching all things Shetland.


Right now it is Aurora Borealis season, and I have joined a few sites that have been posting absolutely spellbinding images and videos. I doubt I will ever experience seeing the ‘mirrie dancers’ live (I will be there in Spring) but have interpreted my response via paint-



 February, Mirrie Dancers, encaustic on panels, 12x14in, copyright Jan Yates, 2014



I had fanciful thoughts about a romantic origin to the Scottish name for the Northern lights, so was a wee bit taken aback when I read this: 


‘In Scotland, the northern lights were known as "the mirrie dancers" or na fir-chlis. There are many old sayings about them, including the Scottish Gaelic proverb "When the mirrie dancers play, they are like to slay." The playfulness of the mirrie dancers was supposed to end occasionally in quite a serious fight, and next morning when children saw patches of red lichen on the stones, they say among themselves that "the mirrie dancers bled each other last night".


 February, Mirrie Dancers 2, encaustic on panel, 4x7in, copyright Jan Yates, 2014


My favourite interpretation comes from the Inuit:

The Inuit people of Alaska tell the traditional tale of their ancient ancestors who are seen in the rippling movements of the northern lights. They say that the "shadows" within the display are relatives and friends who have gone to the sky and march along or dance to remind the living people of their presence. When the dogs bark and howl at the sounds of the aurora borealis, it's said that the dogs recognize their one-time companions in the colourful display.


Read more info on the northern lights here 

Thursday, February 20, 2014

Upcoming encaustic workshops

almanac moons, copyright Jan yates



ENCAUSTIC 2

These sessions are enjoyable for those who have taken an introductory encaustic class and want to further explore this alluring and tactile medium. I will share techniques including image transfer/collage, colour, glazing, relief, and drawing with charcoal, graphite and pastel.

Ruby's pear

Participants will also explore alternative media incorporated with encaustic including sand, plaster, metallic pigment and shellac.

 Firefly Moondance, copyright Jan Yates

*Encaustic painting is natural, safe and non-toxic. Ancient and intriguing, this method of painting originated in Greece, where it was used for the earliest easel and mural painting. A heady combination of colour, melting wax and heat, encaustic mixes dry and oil pigments in hot beeswax.

Workshop Location:

Grimsby Public Art Gallery

Held Saturdays: 

February 22, March 1, and March 8, 2014

2pm - 4pm
To register, please contact the Gallery! (905) 945-3246 
or email: gpag@grimsby.ca

Thursday, February 13, 2014

wishful thinking


THAW
  1. To melt, dissolve, or become fluid; to soften;
  2. To become so warm as to melt ice and snow;
  3. To grow gentle or genial.

February, thaw, oil on canvas, plein air, 8x10in
copyright Jan Yates 2014








Monday, February 10, 2014

looking back, looking through



I’ve wanted to revisit this for awhile.




While spending time at the Tyrone Guthrie Centre in Ireland what first struck me was the wild Rhododendron juxtaposed against the endless hues of green. 

A midst the evocative, mysterious and changing light, it is heady. Witnessing it also brought to light a fascination with portals.


 Annamaghkerrig 'bench', oil/cold wax on canvas, 16x20in, 2014, available
copyright Jan Yates

Friday, February 7, 2014

artist residency, Shetland, Scotland




I am thrilled to announce that Wasps studios has awarded me a residency and it is with great enthusiasm to say that I will be living and making art at The Booth in Scalloway, Shetland for a month!

After twice travelling to Scotland (Wester Ross & Skye) I found the experiences to be profound and haunting, imprinting  a deep resonance long after my return to Canada. Unfortunately I was unable to spend time making art on these visits. The idea of returning to Scotland and spending  a sustained amount of time immersed in my arts practice has come to fruition.

I am eager to explore Shetland- a new land and culture so removed from my own!




 

Wednesday, February 5, 2014

milkweed, migration, yesterday and today





Yesterday



So on my walk the air was filled with voices and a flutter- such bird activity-!

I am optimistic that spring is surely on her way.  I made these wee birds.


 February, murmur, milkweed and  goldenrod pods on snow, 8x20in, 2014

 
Today


So when I couldn’t walk out the door because it wouldn’t open due to the buckets of freshly thrown snow, I emptied my pockets of milkweed and goldenrod and played indoors.


  February, homecoming, encaustic, milkweed, goldenrod pod and copper on found panel 12in round,  2014



Saturday, February 1, 2014

direct dialogue





In a previous post I mentioned working on some larger studio works, and I am deliberately not rushing them.



However, after working so many months indoors painting from intuition, recall, trial, error, and some 2d references, I needed to simply lay down something from direct observation. 





Hence a very quick plein air, worked between snow flurries and freezing rain- 


 February, oil / cold wax on canvas, 14x28in, copyright Jan Yates, 2014

Friday, January 31, 2014

Niagara VQA Wine label

 I am pleased to announce that the below painting has been purchased by a regional winery. 

It will be used for promotion as well as featured on their label for a new wine release in March, 2014!
 


May, Niagara Escarpment, oil on canvas, 30x36in, 2013
 copyright Jan Yates




Monday, January 27, 2014

Winter Sleep


It's not the case, though some might wish it so
Who from a window watch the blizzard blow
 White riot through their branches vague and stark,
That they keep snug beneath their pelted bark.
They take affliction in until it jells
To crystal ice between their frozen cells,
 And each of them is inwardly a vault
Of jewels rigorous and free of fault,
 Unglimpsed until in May it gently bears
A sudden crop of green-pronged solitaires.

-Richard Wilbur, Orchard Trees, January 
 

 January, (winter sleep) oil on canvas, 40x48in, diptych
copyright Jan Yates 2014, available

Wednesday, January 22, 2014

January, milkweed, encaustic


Picture
January-detail
Picture
January-detail
on found panel
50x7in
copyright Jan Yates 2014 
available




Picture
January-detail

Tuesday, January 21, 2014

wise words of Emily Carr




I think that one's art is a growth inside one. I do not think one can explain growth. It is silent and subtle. One does not keep digging up a plant to see how it grows.-Emily Carr




 I  have been enjoying the rhythm of working -a lot-immersed in painted  landscapes
during the day (with two large works on the go) 



 
-and the nights are filled with encaustic. 

These small images are sections of one work.

 -because the proportions

 make it impossible to show the details of the whole image 

as one would when viewed 'live'.


January (murmur), encaustic and starling feathers on found panel,4x50in
copyright Jan Yates, 2014






Monday, January 13, 2014

2014 art workshops/ classes



Just a quick word to say I've updated a few January/February class dates including encaustic, cold wax AND Weekly Studio sessions in Drawing and Painting.




info on the website
http://www.janyates.com/teaching.html 

Saturday, January 11, 2014

milkweed, sumac, encaustic

 
another work inspired by the words of  Richard Wilbur:
'White seeds are floating Out of my burst pod. What power had I Before I learned to yield? Shatter me, great wind: I shall possess the field.'


January, encaustic on panel, 10x12in
copyright Jan Yates, 2014 


Speaking of field, a land mark-from Sumac:
 


copyright Jan Yates, 2014