land mark 1, milk weed, December 26, 2013
For me there is a breathless energy in working on the land that
is very different from making art in a controlled studio environment.
land mark 2, 3, December 26, 2013
Since my residency in Ireland in 2012, I have become more
and more interested in land marks and their impact on those who encounter them.
run, 2012
I am compelled to immerse myself in the cycle of growth and decay by making marks
on the land in and from the elements.
field portal, December 2013
Building three dimensional work intuitively and using only
materials available from natural surroundings is a current driving force and I relish
the possibilities.
field portal, December 2012
I am intrigued by the processes happening in nature over
time and it’s unpredictability that affects the work.
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limb, 2012
The uncertainty of
working with the weather, the connection between land and light, uprooting and unearthing
hidden things and hidden life are all catalysts for this body of work.
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