push-pull

This is another sketch to be considered for a large commission.

 Working small allows for experimentation and play. I have been changing /testing mediums (I like to make my own) as well as underpainting with cold wax and a lovely orange/red by Kama pigment.

Of course, what is underneath affects the work, so thinking through an idea helps, although often when I prepare surfaces, the physical process sparks the idea. I like the push-pull of planning and spontaneity.

*i also played with knives

 

 Escarpment fog (May), oil/cold wax on canvas, 8x10in

copyright Jan Yates, 2014

mind field

I am working on a few small oil sketches to possibly be made into larger commissioned paintings. Wanting to bring a plein air feel to the work, I wondered about the idea of revisiting May in March.

Apprehensive  about making a study indoors-I was afraid of losing that ‘plein air’ feel. But surprisingly, I found it did the opposite-it took me back outside.

 I was in the orchard, feeling that balmy May breeze, hearing the Spring bird voices, breathing the sweet smell of new-new grass, new blossoms, things were growing faster than I could paint them. 

I can go into the field of my mind. 

Waiting for May, oil/cold wax on canvas, 14x16in, 2014
copyright Jan Yates

remains of the day

After being in Spring (Vancouver was resplendent with new growth-forsythia, daffodils, flowering trees)-I was not thrilled about returning to our Ontario winter. 

 Needless to say it was a pleasant surprise to be greeted with a warm sun melting the mounds of snow-things were starting to thaw.

 

 

It felt great to find my paints after going without for ten days. The spring warmth was enough for me to stand outside on the front porch and make a little painting –a wee promise.

 March, Remans of the Day, oil on canvas, plein air, 8x10in, copyright Jan yates 2014

 under 200 incl. tax. Visa, Paypal, Mastercard. 

 inquire here

Thaw

milkweed, goldenrod, snow. copyright Jan Yates 2014

a wee drop

Before I left for Vancouver I decided to change my space at the Jordan Art Gallery to reflect some optimism for Spring.

Waiting for May, oil on canvas, 40x40in, 2013, copyright Jan Yates

under 2500.

 purchase inquiry here

 

 We have had such a long, winter season and it seems there is no relief (or green) in sight!

 
So if you are in the area, stop by for a wee drop of colour

Waiting for May, oil / cold wax on canvas, 30x36in, 2013, copyright Jan Yates

under 1900.

 purchase inquiry here

 

plus some new encaustic work

JORDAN ART GALLERY
contemporary work in Niagara since 2001
Jordan Village, ON, Canada

Wandering

I am currently in Vancouver visiting my daughter-and relishing the early Spring colours-no white!

Wandering the city streets is invigorating and inspiring, and I love encountering environmental art.

This community garden is a collaborative endeavour to bring back the bees.

art adoption

 August, remains of the day, oil on canvas, plein air, 2012 , copyright Jan Yates

Our gallery is featuring a selection of work this month to help support Women's Place of South Niagara Inc.

The auction runs through March and bids can also be made online.
Check it out here

Aurora Borealis

Although I won’t be going until 2015, the Shetland residency has me voraciously researching all things Shetland.

Right now it is Aurora Borealis season, and I have joined a few sites that have been posting absolutely spellbinding images and videos. I doubt I will ever experience seeing the ‘mirrie dancers’ live (I will be there in Spring) but have interpreted my response via paint-

 February, Mirrie Dancers, encaustic on panels, 12x14in, copyright Jan Yates, 2014

I had fanciful thoughts about a romantic origin to the Scottish name for the Northern lights, so was a wee bit taken aback when I read this: 

‘In Scotland, the northern lights were known as "the mirrie dancers" or na fir-chlis. There are many old sayings about them, including the Scottish Gaelic proverb "When the mirrie dancers play, they are like to slay." The playfulness of the mirrie dancers was supposed to end occasionally in quite a serious fight, and next morning when children saw patches of red lichen on the stones, they say among themselves that "the mirrie dancers bled each other last night".

 February, Mirrie Dancers 2, encaustic on panel, 4x7in, copyright Jan Yates, 2014

My favourite interpretation comes from the Inuit:

The Inuit people of Alaska tell the traditional tale of their ancient ancestors who are seen in the rippling movements of the northern lights. They say that the "shadows" within the display are relatives and friends who have gone to the sky and march along or dance to remind the living people of their presence. When the dogs bark and howl at the sounds of the aurora borealis, it's said that the dogs recognize their one-time companions in the colourful display.

Read more info on the northern lights here 

Upcoming encaustic workshops

almanac moons, copyright Jan yates

ENCAUSTIC 2

These sessions are enjoyable for those who have taken an introductory encaustic class and want to further explore this alluring and tactile medium. I will share techniques including image transfer/collage, colour, glazing, relief, and drawing with charcoal, graphite and pastel.

Ruby's pear

Participants will also explore alternative media incorporated with encaustic including sand, plaster, metallic pigment and shellac.

 Firefly Moondance, copyright Jan Yates

*Encaustic painting is natural, safe and non-toxic. Ancient and intriguing, this method of painting originated in Greece, where it was used for the earliest easel and mural painting. A heady combination of colour, melting wax and heat, encaustic mixes dry and oil pigments in hot beeswax.

Workshop Location:

Grimsby Public Art Gallery

Held Saturdays: 

February 22, March 1, and March 8, 2014

2pm - 4pm
To register, please contact the Gallery! (905) 945-3246 
or email: gpag@grimsby.ca

wishful thinking

THAW

1. To melt, dissolve, or become fluid; to soften;
2. To become so warm as to melt ice and snow;
3. To grow gentle or genial.

February, thaw, oil on canvas, plein air, 8x10in

copyright Jan Yates 2014

looking back, looking through

I’ve wanted to revisit this for awhile.

While spending time at the Tyrone Guthrie Centre in Ireland what first struck me was the wild Rhododendron juxtaposed against the endless hues of green. 

A midst the evocative, mysterious and changing light, it is heady. Witnessing it also brought to light a fascination with portals.

 Annamaghkerrig 'bench', oil/cold wax on canvas, 16x20in, 2014, available

copyright Jan Yates

artist residency, Shetland, Scotland

I am thrilled to announce that Wasps studios has awarded me a residency and it is with great enthusiasm to say that I will be living and making art at The Booth in Scalloway, Shetland for a month!

After twice travelling to Scotland (Wester Ross & Skye) I found the experiences to be profound and haunting, imprinting  a deep resonance long after my return to Canada. Unfortunately I was unable to spend time making art on these visits. The idea of returning to Scotland and spending  a sustained amount of time immersed in my arts practice has come to fruition.

I am eager to explore Shetland- a new land and culture so removed from my own!

 

milkweed, migration, yesterday and today

Yesterday

So on my walk the air was filled with voices and a flutter- such bird activity-!

I am optimistic that spring is surely on her way.  I made these wee birds.

 February, murmur, milkweed and  goldenrod pods on snow, 8x20in, 2014

 

Today

So when I couldn’t walk out the door because it wouldn’t open due to the buckets of freshly thrown snow, I emptied my pockets of milkweed and goldenrod and played indoors.

  February, homecoming, encaustic, milkweed, goldenrod pod and copper on found panel 12in round,  2014

direct dialogue

In a previous post I mentioned working on some larger studio works, and I am deliberately not rushing them.

However, after working so many months indoors painting from intuition, recall, trial, error, and some 2d references, I needed to simply lay down something from direct observation. 

Hence a very quick plein air, worked between snow flurries and freezing rain- 

 February, oil / cold wax on canvas, 14x28in, copyright Jan Yates, 2014

Niagara VQA Wine label

 I am pleased to announce that the below painting has been purchased by a regional winery. 

It will be used for promotion as well as featured on their label for a new wine release in March, 2014!

 

May, Niagara Escarpment, oil on canvas, 30x36in, 2013

 copyright Jan Yates